What would you buy as a second board?
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What would you buy as a second board?
Hi All! New to the forum, but I've been playing and performing for over 30 years both studio and live. I'm rebuilding my rig at this point and I've bought a Kronos 73 as my bottom tier. I'm wondering, what would you buy as a top tier? Another Kronos (61 note) or what? I'm looking at a Access Virus TI2 also and wondered if anyone has played it comparison wise to the Korg. Please note: I'm leaning very heavily toward the Korg, but wanted to ask about the Virus.
Thanks all!
Thanks all!
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I'm so happy to use my KRONOS 61 as a upper tier...
Good keyfeeling and a good central for my MIDI-Setup...
In this Moment I use a CME UF-88 as a lower tier...
I'm looking for a Triton Extreme 88 with MOSSboard, to have a good Pianoboard, all Sounds of the Triton history and my missing Mossboard...
Together I think its unbeatable!
Good keyfeeling and a good central for my MIDI-Setup...
In this Moment I use a CME UF-88 as a lower tier...
I'm looking for a Triton Extreme 88 with MOSSboard, to have a good Pianoboard, all Sounds of the Triton history and my missing Mossboard...
Together I think its unbeatable!
Love and peace to everyone 
Live:
Korg KRONOS, Triton Extreme 88, Korg Trinity V3, Roland Integra, Yamaha TG 500, Korg DS-8, CME UF 88, MOTU Timepiece II,
Studio:
Samson Resolve, Rhode NT1, Ultimate Stands, Korg Legacy Collection,KARMA KRONOS, Extreme Sample Converter, Native Kontakt Piano Collection, OPX Pro II,Native Instruments GuitarPlugs, Wave Gold

Live:
Korg KRONOS, Triton Extreme 88, Korg Trinity V3, Roland Integra, Yamaha TG 500, Korg DS-8, CME UF 88, MOTU Timepiece II,
Studio:
Samson Resolve, Rhode NT1, Ultimate Stands, Korg Legacy Collection,KARMA KRONOS, Extreme Sample Converter, Native Kontakt Piano Collection, OPX Pro II,Native Instruments GuitarPlugs, Wave Gold
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Ok, those styles aren't my forte but I would guess that apart from bread and butter sounds, you need good strings, pianos, pads and leads, right?
I think the Kronos has you covered with the first three, perhaps with a sound expansion for strings or piano depending on your preferences. Maybe an analog leadsynth would be good? E.g. a Moog Sub37? The Kronos is very versatile but one area where it doesn't do as well is with Moog-style sounds. In addition, there are a lot of things like analog overdrive or filter squelch that are simply hard to do on a digital synth.
I do like the Virus but for what you're going for I think an analog leadsynth would serve you better.
I think the Kronos has you covered with the first three, perhaps with a sound expansion for strings or piano depending on your preferences. Maybe an analog leadsynth would be good? E.g. a Moog Sub37? The Kronos is very versatile but one area where it doesn't do as well is with Moog-style sounds. In addition, there are a lot of things like analog overdrive or filter squelch that are simply hard to do on a digital synth.
I do like the Virus but for what you're going for I think an analog leadsynth would serve you better.
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OK, I am lucky enough to be the owner of both a Prophet 12 and Virus TI2. I would tell you to go with either one of these two as your second board. It is great to have the ability to make adjustments to your sound easily when performing live and both of these boards fit the bill with all the knobs. The P12 probably wins on that front because it is closer to "one knob per parameter" than the Virus is.
Either one of these sound distinctly different than the Kronos so adding one of them gives you even more variety. The P12 really can cut through the mix in a live setting. The Curtis filter, which has sometimes been called harsh also makes it cut through the din of a gig really well - and the "harshness" can be managed quite effectively by careful programming when you don't need/want as much bite. The Virus is a great all around VA and is perfect if your band does any dance covers where hypersaw is needed.
To be honest, I flip between these two boards on gigs. I have patches for our entire set list programed on both and you can barely tell the difference. But they can also sound COMPLETELY different - they have their own character, I'm just suggesting that it is possible to get them very close.
So, my two cents.... Pick up either a P12 or Virus (Virus all the way if you cover any dance). You have the Kronos already, which is awesome; add some variety with tier 2.
EDIT: Just saw your musical focus - given this I would second the suggestion given of going for an analog lead synth... Moog, Pro2, etc!
Either one of these sound distinctly different than the Kronos so adding one of them gives you even more variety. The P12 really can cut through the mix in a live setting. The Curtis filter, which has sometimes been called harsh also makes it cut through the din of a gig really well - and the "harshness" can be managed quite effectively by careful programming when you don't need/want as much bite. The Virus is a great all around VA and is perfect if your band does any dance covers where hypersaw is needed.
To be honest, I flip between these two boards on gigs. I have patches for our entire set list programed on both and you can barely tell the difference. But they can also sound COMPLETELY different - they have their own character, I'm just suggesting that it is possible to get them very close.
So, my two cents.... Pick up either a P12 or Virus (Virus all the way if you cover any dance). You have the Kronos already, which is awesome; add some variety with tier 2.

EDIT: Just saw your musical focus - given this I would second the suggestion given of going for an analog lead synth... Moog, Pro2, etc!
Minimoog Voyager - DSI Prophet 12 - Sequential Prophet 6 - DSI OB-6 - Access Virus Ti2 - Korg Kronos 2 - KingKORG - Novation MiniNova - Roland JU-06 - Roland RD-700GX - Novation Bass Station Rack - EMU Proteus 2000 - Various other old musical gadgets and dodads
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I'll also add that unless you need huge amounts of polyphony or like the idea of a "backup" board, getting a second Kronos is really a waste of money. I say that even though I would like a second one myself. To spend another 3K or thereabouts simply to get the same sounds is just a shame. If you think you can get everything you need from the Kronos save yourself some bucks and get a midi keyboard of your choice. You can hook it up to the K and do most things you would do with two.
I have a Korg Karma with a moss board added as my top tier. I have my Kronos 61 on the bottom right now but I have started experimenting with my Alesis 7.1 76 key board on the bottom with the K61 on top. I like the extra space for zones the 76 keys gives me.
Korg Kronos 61 Korg Karma Korg Trinity+ DSI Rev 2 16 Casio MZ-X500 61-KEY Roland SH201 Roland FA-06 Ensoniq ESQ1 Alesis 7.1 Alesis Ion Alesis S4 and S4+ Emu B3 mod Yamaha MM6
I want a good combination of an 88 Key, big sample library and MOSS...timbukktwo wrote:80salife- Believe me when I say I'm not bragging! I have a Kronos and TEX/Moss combo which I will never willingly part with! They are a GREAT combo!! I sure hope you can find another! Please tell me what you liked about the TEX/Moss?
The haptic of the Triton extreme is very good, The Extreme has all EXBs on board and the MOSS is the only thing that is missed in KRONOS. MOSS has additional expressiv sounds, in Triton you can use the MOSS with several sounds of it ( Instead of trinity only one sound)
I've played Trinity V3 (MOSS) and a Korg Karma together, that was a superb Live combi with astonish sound possibilities... NOW KRONOS raise up with AL1 etc...
MY opinion you will need live nothing else....
I would never use a real Analog synth live on stage, but in studio yes...
Love and peace to everyone 
Live:
Korg KRONOS, Triton Extreme 88, Korg Trinity V3, Roland Integra, Yamaha TG 500, Korg DS-8, CME UF 88, MOTU Timepiece II,
Studio:
Samson Resolve, Rhode NT1, Ultimate Stands, Korg Legacy Collection,KARMA KRONOS, Extreme Sample Converter, Native Kontakt Piano Collection, OPX Pro II,Native Instruments GuitarPlugs, Wave Gold

Live:
Korg KRONOS, Triton Extreme 88, Korg Trinity V3, Roland Integra, Yamaha TG 500, Korg DS-8, CME UF 88, MOTU Timepiece II,
Studio:
Samson Resolve, Rhode NT1, Ultimate Stands, Korg Legacy Collection,KARMA KRONOS, Extreme Sample Converter, Native Kontakt Piano Collection, OPX Pro II,Native Instruments GuitarPlugs, Wave Gold