For those interested in new/versatile midi controllers: Roli releases the Seaboard Rise: like a 2-octave Seaboard, with additional expression options (slide, glide strike, press, lift), but minus the internal sound engine. Battery powered, midi over bluetooth and priced at 800 euros.
Details here:
http://roli.com
Roli releases Seaboard Rise
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
Roli releases Seaboard Rise
Kronos X-88, Nanopad2, Tascam US122 MKii, Roli Rise 49
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Kevin Nolan
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I bought a Roli Grand Stage a few weeks ago, and although it's going to take me a few months to really learn to play it properly (you have to hit the apex of each key bang-on centre or there are pitch issues and it needs a little practice), I have to say , it is jaw-dropping.
Here's what you get:
- Polyphonic aftertouch
- Polyphonic left-right movement (usually applied to polyphonic pitch-bend)
- Polyphonic forward-back movement on each key
Each of these can be mapped to any parameter on any plugin
But it doesn't end there. I don't know how they do it - but - the device also has what is equivalent (on my 61 note device) to 61 ribbon controllers below the keyboard and 61 ribbon controllers above the keyboard.
Effectively - it means that no matter where on the 'ribbon' area you move your finger from, left or right - you get ribbon control from that location, poly-phonically - both above and below the keyboard - mappable to any MIDI CC number or plugin parameter! Mapped to Ring Modulator depth and rate and similar parameters - it's wondrous.
You get all of that on the Rise too, but what I love about the Rise is the white line on each 'black' key (I really wish I had that on the Grand Stage) - that will help with pitch accuracy - and the other controllers to the left of the keybed - and while the Seaboard Grand Stage cost me 3000 Euro (!), this is $799 - and (to us existing Seaboard owners there's a 30% discount valid till 31st December
). Though I just got the Grand Stage, I'm tempted, very tempted !
Here's what you get:
- Polyphonic aftertouch
- Polyphonic left-right movement (usually applied to polyphonic pitch-bend)
- Polyphonic forward-back movement on each key
Each of these can be mapped to any parameter on any plugin
But it doesn't end there. I don't know how they do it - but - the device also has what is equivalent (on my 61 note device) to 61 ribbon controllers below the keyboard and 61 ribbon controllers above the keyboard.
Effectively - it means that no matter where on the 'ribbon' area you move your finger from, left or right - you get ribbon control from that location, poly-phonically - both above and below the keyboard - mappable to any MIDI CC number or plugin parameter! Mapped to Ring Modulator depth and rate and similar parameters - it's wondrous.
You get all of that on the Rise too, but what I love about the Rise is the white line on each 'black' key (I really wish I had that on the Grand Stage) - that will help with pitch accuracy - and the other controllers to the left of the keybed - and while the Seaboard Grand Stage cost me 3000 Euro (!), this is $799 - and (to us existing Seaboard owners there's a 30% discount valid till 31st December
). Though I just got the Grand Stage, I'm tempted, very tempted !-
Kevin Nolan
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Agree - 24 keys seems a little restrictive.
but when you touch and feel this thing, you understand the economics involved and probably 24 keys at that price is all they could manage.
It feels like some advanced alien technology, and looks like it's derived from stealth-technology
Staggering technology, from control capabilities to the materials used!
but when you touch and feel this thing, you understand the economics involved and probably 24 keys at that price is all they could manage.
It feels like some advanced alien technology, and looks like it's derived from stealth-technology
Staggering technology, from control capabilities to the materials used!
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EvilDragon
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Bald Eagle
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Kevin Nolan
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@EvilDragon - Haken Contimuum is amazing too. No argument there.
@Bald Eagle - I haven't linked it up to my OASYS yet but I'm anticipating BIG things because each of OASYS's (and KRONOS's!) synth engines are truly polyphonic - as in (as just one example) - for each of the 4 LFO's in each synth engine it's 4 LFO's per voice - so if AL-1 is 80 note polyphonic, that's 80 times 4 LFO's.
Hence - you can control the LFO depth and rate of each LFO polyphonically - and with AMS - this is going to be an extraordinary sound design and performance capability.
Or - imagine controlling the FM harmonic content of each operator of a given algorithm - per - voice - in MOD-7. this is DX1 territory (I own a DX1 and it's polyphonic aftertouch means that you can control the harmonic content of the sound on a per-note basis) - and frankly it brings FM into a new dimension of expressiveness that borders on virtual acoustic in quality and control. FM synthesis and polyphonic aftertouch / control are a match made in heaven.
So the ROLI (and Continuum - and indeed QuNexus and X-Key) polyphonic controllers are ideal for OASYS / Kronos if you are into the synth engines and willing to do some configuration.
Its ironic to think that the vast polyphonic synth engine of all synth engines on the OASYS and Kronos are inaccessible on the actual instruments themselves - but the likes of Roli unleashes that potential. They make the OASYS/Kronos an utterly different sound design and performance experience. But the standard OASYs/Kronos has all that potential, locked away and unusable to the owner of the instrument. To me, insane, and a waste.
I have always been disappointed that Korg went to the bother of designing their synth engines with such phenomenal polyphonic capability, yet have never offered a polyphonic after touch version of either the OASYS and Kronos.
Even if offered as a limited edition, for say a $1000 more, many would have bought them, I'm sure. I'm sure the economics never allowed for it, but it's a great pity.
@Bald Eagle - I haven't linked it up to my OASYS yet but I'm anticipating BIG things because each of OASYS's (and KRONOS's!) synth engines are truly polyphonic - as in (as just one example) - for each of the 4 LFO's in each synth engine it's 4 LFO's per voice - so if AL-1 is 80 note polyphonic, that's 80 times 4 LFO's.
Hence - you can control the LFO depth and rate of each LFO polyphonically - and with AMS - this is going to be an extraordinary sound design and performance capability.
Or - imagine controlling the FM harmonic content of each operator of a given algorithm - per - voice - in MOD-7. this is DX1 territory (I own a DX1 and it's polyphonic aftertouch means that you can control the harmonic content of the sound on a per-note basis) - and frankly it brings FM into a new dimension of expressiveness that borders on virtual acoustic in quality and control. FM synthesis and polyphonic aftertouch / control are a match made in heaven.
So the ROLI (and Continuum - and indeed QuNexus and X-Key) polyphonic controllers are ideal for OASYS / Kronos if you are into the synth engines and willing to do some configuration.
Its ironic to think that the vast polyphonic synth engine of all synth engines on the OASYS and Kronos are inaccessible on the actual instruments themselves - but the likes of Roli unleashes that potential. They make the OASYS/Kronos an utterly different sound design and performance experience. But the standard OASYs/Kronos has all that potential, locked away and unusable to the owner of the instrument. To me, insane, and a waste.
I have always been disappointed that Korg went to the bother of designing their synth engines with such phenomenal polyphonic capability, yet have never offered a polyphonic after touch version of either the OASYS and Kronos.
Even if offered as a limited edition, for say a $1000 more, many would have bought them, I'm sure. I'm sure the economics never allowed for it, but it's a great pity.
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Kevin Nolan
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They sell them directly from their web site - that's how I bought mine - but they have secured distributers too.
I have found them a remarkable company to deal with. At the time of ordering they were offering a quite substantial sale price for one month. I asked them if I could lay a 10% deposit down and pay the remainder sale price 6 months later because I was getting a vintage synth restored.
They agreed - because I was getting a vintage synth restored !! - and held the very keen sale price over for me for 6 months.
If you visit their web site go tot their personnel page and check them out. They are all scary talented! The support person I was dealing with has a remarkable bio - I can't quite remember but I think either he's a mountaineer or a speed cyclist, and did the music for something like 24 short movies in 48 hours or something like that.
anyway - they are a remarkable, innovative bunch of really, really talented people. I wish them great success - they seem to have the perfect combination of great people, innovative products and smart marketing. I hope they can be sustainable into the long term future.
Very interesting company altogether!
I have found them a remarkable company to deal with. At the time of ordering they were offering a quite substantial sale price for one month. I asked them if I could lay a 10% deposit down and pay the remainder sale price 6 months later because I was getting a vintage synth restored.
They agreed - because I was getting a vintage synth restored !! - and held the very keen sale price over for me for 6 months.
If you visit their web site go tot their personnel page and check them out. They are all scary talented! The support person I was dealing with has a remarkable bio - I can't quite remember but I think either he's a mountaineer or a speed cyclist, and did the music for something like 24 short movies in 48 hours or something like that.
anyway - they are a remarkable, innovative bunch of really, really talented people. I wish them great success - they seem to have the perfect combination of great people, innovative products and smart marketing. I hope they can be sustainable into the long term future.
Very interesting company altogether!
https://www.youtube.com/watch?v=euoNphLUvxU
I like this vid, I also see Sweetwater carries them so as soon as the miniature is paid off this will go on three pay!
I like this vid, I also see Sweetwater carries them so as soon as the miniature is paid off this will go on three pay!
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EvilDragon
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- Joined: Thu Nov 24, 2005 1:18 pm
- Location: Croatia
The Seaboard RISE looks great, I want one too, but according to ROLI Support: "At the moment the RISE will need to be paired with a computer to host the software. It will be possible to send the MIDI data on via a MIDI interface from the computer, but standalone USB operation is not yet implemented" (from a private email dated 9/11/15). So at least for now, it doesn't look like you can just plug the RISE into the KRONOS (or any hardware synth's) USB port and use it as an external MIDI controller, you need a computer between them...not so good at bar gigs...
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