The good people at the drivers lab have been listening before.
So let's hope they code something together for the next update.
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
incredible!maako wrote:List sent to various email addresses at Korg USA and UK (don't know any Japanese, solly-solly..) yesterday.
The good people at the drivers lab have been listening before.
So let's hope they code something together for the next update.
...can you really talk to KORG and have a response???maako wrote:List sent to various email addresses at Korg USA and UK (don't know any Japanese, solly-solly..) yesterday.
The good people at the drivers lab have been listening before.
So let's hope they code something together for the next update.
Code: Select all
I’ll pass this onto our product development team in charge of DJ products. Thanks for your suggestions.
John McCubberyCode: Select all
Global edit page
Here you can view and edit global parameters.use the slice to remove beats and measures and it would be constantly changing even moreScott M2 wrote:I realize that the KP3's design leans towards beat-oriented musics.
Unless they are one-shot samples, the sample lengths are always quantized
to 1, 2, 4, 8 or 16. This precludes having samples of different lengths (which
are not exact multiples of each other) cycling against each other to produce
constantly shifting combinations (which is very good for soundscapes).
A switch to allow one-shot samples to loop without being quantized would
be a wonderful addition to the sonic possibilities of the KP3.
Thanks, I'm trying it out now and it works very well with beat-oriented stuffzalo wrote:use the slice to remove beats and measures and it would be constantly changing even moreScott M2 wrote:I realize that the KP3's design leans towards beat-oriented musics.
Unless they are one-shot samples, the sample lengths are always quantized
to 1, 2, 4, 8 or 16. This precludes having samples of different lengths (which
are not exact multiples of each other) cycling against each other to produce
constantly shifting combinations (which is very good for soundscapes).
A switch to allow one-shot samples to loop without being quantized would
be a wonderful addition to the sonic possibilities of the KP3.