Curious with external I put
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Curious with external I put
I am wondering, if I wanted a more moog like sound would there be any benefit maybe routing some signal out to one of the moog pedals and then back in? I think this is possible but don't know that it will give the desired moog like sound. I do not have a moog pedal but it would be a small investment if it would work. Thanks Bertotti
IMHO this may be the best way to get the Moog sound sound: MF-101 Lowpass Filter
This takes a mono signal...
This takes a mono signal...
Current gear:
Access Virus TI2 Whiteout Keyboard (111/150), Access Virus TI2 Polar DarkStar Special Edition, Gibson Custom Lite 2013, Roland MV-8800
I haven't
my main concern may be that I think this Moogerfoger isn't designed for polyphonic playing... I understand it has an envelope follower, but I'm not shure how will that behave with several notes playing at once: which one will be the specific cutoff frequency selected and based on what criteria?
But anyway... Moog sound is usually monophonic...
But anyway... Moog sound is usually monophonic...
Current gear:
Access Virus TI2 Whiteout Keyboard (111/150), Access Virus TI2 Polar DarkStar Special Edition, Gibson Custom Lite 2013, Roland MV-8800
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Broadwave
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I'm lucky enough to have a small modular system
I often route the output of the Kronos via a Moog/ARP VCF - Having MIDI to CV/Gate control opens up all kinds of possibilities.
Doepfer do a neat small case for a few modules. Perhaps you could think about getting an ADSR, Moog VCF and MIDI > CV. Shouldn't cost much more than the Moogerfooger and it would be more versatile.

I often route the output of the Kronos via a Moog/ARP VCF - Having MIDI to CV/Gate control opens up all kinds of possibilities.
Doepfer do a neat small case for a few modules. Perhaps you could think about getting an ADSR, Moog VCF and MIDI > CV. Shouldn't cost much more than the Moogerfooger and it would be more versatile.

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Broadwave
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Dry Audio out (no FX) from Kronos into the audio in on the VCF, modulate it with an ADSR module (triggered from MIDI>CV/Gate), then feed the output of the VCF into my mixer (or VCA module for further processing). Obviously it's either mono or "paraphonic", but it gets the job done nicelyBertotti wrote:So how do you usually route yours? It sounds interesting.
I've not tried to feed the audio back into the Kronos, but I'm sure it's a simple affair to do and add Kronos FX if needed.
I needed a better understanding of ADSR so I read this. I know I have read similar before but I needed a refresher.
http://www.public.asu.edu/~glennh/mtc43 ... /adsr.html
http://www.public.asu.edu/~glennh/mtc43 ... /adsr.html
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Broadwave
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In your link, the top image shows the ADSR controlling a Voltage Controlled Amplifier... just change the VCA to a VCF and you've basically got it
You'll need a MIDI to gate converter to trigger the ADSR (from the Kronos Keyboard), so that you can shape the frequency.
I used to use this arrangement in the late 70's to get pseudo poly synth sounds... I put my old Elka string machine through the Odyssey's filter, played a chord on the Elka and triggered the VCF/ADSR on the ARP's keyboard.
You'll need a MIDI to gate converter to trigger the ADSR (from the Kronos Keyboard), so that you can shape the frequency.
I used to use this arrangement in the late 70's to get pseudo poly synth sounds... I put my old Elka string machine through the Odyssey's filter, played a chord on the Elka and triggered the VCF/ADSR on the ARP's keyboard.
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jeremykeys
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Bertotti, One of the best ways that I can recommend to learn about the ADSR's is to really play around with the Polysic engine in the Kronos. I have a real Polysix and this one is identical. You'll be amazed at just how much you can do with just a simple synthesizer.
If music is the food of love, play on and play loud!
Gear: Kronos 73, Wavestation EX, Polysix, King Korg, Monotron and Monotron Duo, Minikorg, Moog Grandmother, my very old MiniKorg, 4 acoustic and 9 electric guitars, 1 Ibanez 5 string bass, a Steel guitar, a bunch of microphones, 2 pairs of studio monitors and other very cool toys, 1 wife and 4 cats and a lava lamp!
Gear: Kronos 73, Wavestation EX, Polysix, King Korg, Monotron and Monotron Duo, Minikorg, Moog Grandmother, my very old MiniKorg, 4 acoustic and 9 electric guitars, 1 Ibanez 5 string bass, a Steel guitar, a bunch of microphones, 2 pairs of studio monitors and other very cool toys, 1 wife and 4 cats and a lava lamp!
Re: Curious with external I put
What "Moog like" sound are you looking for?Bertotti wrote:I am wondering, if I wanted a more moog like sound would there be any benefit maybe routing some signal out to one of the moog pedals and then back in? I think this is possible but don't know that it will give the desired moog like sound. I do not have a moog pedal but it would be a small investment if it would work. Thanks Bertotti
"To me the synthesizer was always a source of new sounds that musicians could use to expand the range of possibilities for making music."
Bob Moog
Bob Moog
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jeremykeys
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The biggest thing to remember is that the Moog is a "synthesizer". It makes a ton of sounds. So trying to say you want a Moog sound is kind of like saying you want a guitar sound for example. Or to even be a bit more extreme, you want a Korg sound!
If you could give us all some musical examples we might have a better chance of finding what you are looking for.
On my old Korg Triton Pro X I have a killer Moog type sound called "Old and Analogue". It is really close to the sound Keith Emerson used in the end of "Lucky Man'.
I guess what I'm slowly getting around to is that unless you actually have a Moog, you are not really going to get that exact tone.
HOWEVER! I have found that you can get really close with the Kronos. So close that unless you are A/Bing the 2 you will never know.
The Trick is to use the AL-1 engine. I've found that using the square wave and having it modulatd by a slow LFO helps.
Forgive me. I know what I want to say but I'm having difficulties in getting it out. I'm not at my Kronos.
I'm also guessing here but I'm thinking that the sound you want is very square wave oriented.
The Moog usually has 3 oscillators. with the 3rd being used often as a modulator. So think of it as having only 2.
Set up a sound using 2 square waves; also known as pulse widths; and adjust them wider and thinner. You will hear a difference as you adjust them. The thinner being a more "Fluteyer" tone if that is such a word.
The next you want to make a wider type of sound.
This is very difficult as I'm trying to describe audio with text.
I'm thinking of using a wide open pulse width or square wave.
Next you want to have them slightly detuned.
That's the best I can give you when I'm supposed to be in bed sleeping!
Good luck and best wishes!
If you could give us all some musical examples we might have a better chance of finding what you are looking for.
On my old Korg Triton Pro X I have a killer Moog type sound called "Old and Analogue". It is really close to the sound Keith Emerson used in the end of "Lucky Man'.
I guess what I'm slowly getting around to is that unless you actually have a Moog, you are not really going to get that exact tone.
HOWEVER! I have found that you can get really close with the Kronos. So close that unless you are A/Bing the 2 you will never know.
The Trick is to use the AL-1 engine. I've found that using the square wave and having it modulatd by a slow LFO helps.
Forgive me. I know what I want to say but I'm having difficulties in getting it out. I'm not at my Kronos.
I'm also guessing here but I'm thinking that the sound you want is very square wave oriented.
The Moog usually has 3 oscillators. with the 3rd being used often as a modulator. So think of it as having only 2.
Set up a sound using 2 square waves; also known as pulse widths; and adjust them wider and thinner. You will hear a difference as you adjust them. The thinner being a more "Fluteyer" tone if that is such a word.
The next you want to make a wider type of sound.
This is very difficult as I'm trying to describe audio with text.
I'm thinking of using a wide open pulse width or square wave.
Next you want to have them slightly detuned.
That's the best I can give you when I'm supposed to be in bed sleeping!
Good luck and best wishes!
If music is the food of love, play on and play loud!
Gear: Kronos 73, Wavestation EX, Polysix, King Korg, Monotron and Monotron Duo, Minikorg, Moog Grandmother, my very old MiniKorg, 4 acoustic and 9 electric guitars, 1 Ibanez 5 string bass, a Steel guitar, a bunch of microphones, 2 pairs of studio monitors and other very cool toys, 1 wife and 4 cats and a lava lamp!
Gear: Kronos 73, Wavestation EX, Polysix, King Korg, Monotron and Monotron Duo, Minikorg, Moog Grandmother, my very old MiniKorg, 4 acoustic and 9 electric guitars, 1 Ibanez 5 string bass, a Steel guitar, a bunch of microphones, 2 pairs of studio monitors and other very cool toys, 1 wife and 4 cats and a lava lamp!