Billy Idol Eyes Without a Face

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Cobra Jet
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Billy Idol Eyes Without a Face

Post by Cobra Jet »

I was wondering if the Kronos had a patch that I could use as a starting point for Billy Idol’s Eyes Without a Face? The first one is at the very beginning on the song and it sounds like strings that descend in pitch in a uniform manner. The other comes in at about 11 seconds and is a bit harder to describe. To me it sounds something like a thinned out clav with a bunch of reverb.

Any thoughts?

http://www.youtube.com/watch?v=z065qOCwuY8
R Brenon
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Post by R Brenon »

That was played by Derek Sherinian. He mostly used NORD keyboards back then but now uses everything under the sun including a KRONOS.
I Think it sounds more like 2 sqrs. One pitchbended to -5 and the other not. The second sounds like a standard bell or fantasia type sound.
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Post by xp50player »

Must have been a prototype Nord, because they were not produced until 1995, 12 years after this song.
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Post by SanderXpander »

LOL
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Cobra Jet
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Post by Cobra Jet »

R Brenon wrote:That was played by Derek Sherinian. He mostly used NORD keyboards back then but now uses everything under the sun including a KRONOS.
I Think it sounds more like 2 sqrs. One pitchbended to -5 and the other not. The second sounds like a standard bell or fantasia type sound.
What are "2 sqrs"?
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Post by midiman »

xp50player wrote:Must have been a prototype Nord, because they were not produced until 1995, 12 years after this song.
And, it was actually played by Judy Dozier. Derek didn't start with Billy until 2002.
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Post by Dniss »

xp50player wrote:Must have been a prototype Nord, because they were not produced until 1995, 12 years after this song.
No kidding! A NORD? I was like...

:-k [-(
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Post by SanderXpander »

Cobra Jet wrote:
R Brenon wrote:That was played by Derek Sherinian. He mostly used NORD keyboards back then but now uses everything under the sun including a KRONOS.
I Think it sounds more like 2 sqrs. One pitchbended to -5 and the other not. The second sounds like a standard bell or fantasia type sound.
What are "2 sqrs"?
Two square wave oscillators.
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Post by Cobra Jet »

SanderXpander wrote:
Cobra Jet wrote:
R Brenon wrote:That was played by Derek Sherinian. He mostly used NORD keyboards back then but now uses everything under the sun including a KRONOS.
I Think it sounds more like 2 sqrs. One pitchbended to -5 and the other not. The second sounds like a standard bell or fantasia type sound.
What are "2 sqrs"?
Two square wave oscillators.
Where would I locate the “square wave oscillators”? would they be under affects? Would I do the second as an after touch so that when I take my hand off the keys it starts to bend the pitch to the other note? I’m really lost when it comes to digging in deep with this thing. I was hoping to find a patch that was close that I could just tweak.

BTW, R Brenon’s suggestion of “fantasia” got me on my way to a nice sounding patch. Thanks
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Post by DavyP »

R Brenon wrote:That was played by Derek Sherinian. He mostly used NORD keyboards back then but now uses everything under the sun including a KRONOS.
I Think it sounds more like 2 sqrs. One pitchbended to -5 and the other not. The second sounds like a standard bell or fantasia type sound.
Nords first synth was released in 1995.....

http://www.nordkeyboards.com/main.asp?t ... ny_history

Billy Idols Rebel Yell album was released in 1983...

It was probably an analog synth like a Roland Jupiter, Prophet 5 or an Oberheim???

I am not an expert Kronos programmer but I think you can usually do this type of thing by modulating the pitch envelopes.

I would imagine its possible using one of the analog synth engines in the Kronos.

Maybe one of the forum programming experts could expand on this?
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SanderXpander
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Post by SanderXpander »

Cobra Jet wrote:
SanderXpander wrote:
Cobra Jet wrote: What are "2 sqrs"?
Two square wave oscillators.
Where would I locate the “square wave oscillators”? would they be under affects? Would I do the second as an after touch so that when I take my hand off the keys it starts to bend the pitch to the other note? I’m really lost when it comes to digging in deep with this thing. I was hoping to find a patch that was close that I could just tweak.

BTW, R Brenon’s suggestion of “fantasia” got me on my way to a nice sounding patch. Thanks
This is probably a disappointing answer, but I wouldn't recommend building your own patch if you have to start from the beginning like that. If you're interested in doing this in the future, the oft recommended Sound on Sound article series "Synth Secrets" is worth another mention. The Kronos is a superbly powerful synthesizer, it's definitely worth exploring.
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Post by Cobra Jet »

SanderXpander wrote:
Cobra Jet wrote:
SanderXpander wrote: Two square wave oscillators.
Where would I locate the “square wave oscillators”? would they be under affects? Would I do the second as an after touch so that when I take my hand off the keys it starts to bend the pitch to the other note? I’m really lost when it comes to digging in deep with this thing. I was hoping to find a patch that was close that I could just tweak.

BTW, R Brenon’s suggestion of “fantasia” got me on my way to a nice sounding patch. Thanks
This is probably a disappointing answer, but I wouldn't recommend building your own patch if you have to start from the beginning like that. If you're interested in doing this in the future, the oft recommended Sound on Sound article series "Synth Secrets" is worth another mention. The Kronos is a superbly powerful synthesizer, it's definitely worth exploring.
The problem is I don’t even know where to start to get the pitch to drop down in a linear fashion. I think it’s going from an E to a lower B.
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Post by HardSync »

Cobra Jet wrote:The problem is I don’t even know where to start to get the pitch to drop down in a linear fashion. I think it’s going from an E to a lower B.
If I were going to simulate this, I'd find some kind of analog string patch and I'd use portamento to do the pitch bending by holding down the original chord and playing another chord below it. Mainly because you can still hear the original chord sustaining as the pitch slide happens -- although that might be because the synth parts were multi-tracked in the studio.
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Post by Cobra Jet »

HardSync wrote:
Cobra Jet wrote:The problem is I don’t even know where to start to get the pitch to drop down in a linear fashion. I think it’s going from an E to a lower B.
If I were going to simulate this, I'd find some kind of analog string patch and I'd use portamento to do the pitch bending by holding down the original chord and playing another chord below it. Mainly because you can still hear the original chord sustaining as the pitch slide happens -- although that might be because the synth parts were multi-tracked in the studio.
I looked through all the different setting tabs for Analog Strings (Int C036) and I could not find any place to turn on or adjust “portamento”
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Post by HardSync »

See the Parameter Guide, pages 62 and 64.
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