The Japanese Grand has beautiful sustain in the last upper two octaves of the keyboard. While I prefer the timbre of the German, I would like to have the same sus in the upper octaves the Japanese displays. I've tried the J. Rudess Japanese Grand and substituted the piano to a German but then the upper sus is gone. May be a silly question, but is there any way to increase the sus in the upper register of the German Grand? Thanks.
Just to clarify: Hold the sustain pedal down and play the upper two octaves of the Rudess Jap Grand and compare to the German and I believe you'll be able to hear what I mean.
G. Grand vs. J. Grand
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
I actually like the opposite.
I've got a custom program where the Jap Grand covers the lower 2 octaves and De Grand covers the rest of the keyboard.
Few variations on this too where the lower is tuned down an octave, where there is some overlap, etc.
You can do most of that from the Program Basic page. There are controls for split point/zones between the two EXi and also for transpose.
I've got a custom program where the Jap Grand covers the lower 2 octaves and De Grand covers the rest of the keyboard.
Few variations on this too where the lower is tuned down an octave, where there is some overlap, etc.
You can do most of that from the Program Basic page. There are controls for split point/zones between the two EXi and also for transpose.
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Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro