Yes the small ones. Looking forward to test it with my current gear (no Kronos for now, but if they sound good here they probably will sound even better with a Kronos).panrixx wrote:Do you mean KRK G2 Rokit 5 (RP5)?michelkeijzers wrote:For home I ordered KRK G5 Rokit ... going to install it tonight.
Have have those and have no complaints.
sound system for korg kronos
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- michelkeijzers
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- danatkorg
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All good points; I should have been clear that my comments were about studio monitoring setups only.Arjan wrote:I have to agree with Dan here. I too have Mackie HR824's (original version) and I definitely don't need a sub with them; they go plenty low and loud as-is for their intended purpose as near-field speakers in a studio environment.danatkorg wrote:My great but not particularly esoteric HR824s are nominally flat (within 1.5dB) down to 39Hz, and extending below that naturally; the more recent mkII version claims a little lower for flat response, down to 37Hz.
For my live rig I do have dedicated subs because at high SPL (higher than you'd ever use in a studio) you won't be able to get sufficient level for low frequencies from an 8" woofer; it's simply not able to displace sufficient amounts of air. You can certainly go extremely low on 8" speakers but there's a limit to how loud you can get it without ridiculously high speaker excursion.
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Dan Phillips
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For technical support, please contact your Korg Distributor: http://www.korg.co.jp/English/Distributors/
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- michelkeijzers
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I installed my KRK Rokit 5 (RPR5) and they sound great.
They are not positioned as should be (one is in a bookcase and the other on top of papersheet-holders (don't know the english term) on my desk. One is a bit further away then the other but still they sound great. I love the bass (don't use high volumes anyway) and my room is about 10x10 feet. The volume of the speakers is at 75% but I keep my mix levels down (having a small mixer to connect my synths/pc to them).
It sound as good as my semi-open Sennheiser headphones and a lot better than my old hifi stereo set.
Thanks for all the reviews and positive/negative remarks posted here.
They are not positioned as should be (one is in a bookcase and the other on top of papersheet-holders (don't know the english term) on my desk. One is a bit further away then the other but still they sound great. I love the bass (don't use high volumes anyway) and my room is about 10x10 feet. The volume of the speakers is at 75% but I keep my mix levels down (having a small mixer to connect my synths/pc to them).
It sound as good as my semi-open Sennheiser headphones and a lot better than my old hifi stereo set.
Thanks for all the reviews and positive/negative remarks posted here.

Developer of the free PCG file managing application for most Korg workstations: PCG Tools, see https://www.kronoshaven.com/pcgtools/
The lower cutoff frequency on the Mackie HR824's is -3dB at 37Hz. That gets you down to low D# (a.k.a. D#1) on the piano. It simply doesn't cover the full range.Arjan wrote:I have to agree with Dan here. I too have Mackie HR824's (original version) and I definitely don't need a sub with them; they go plenty low and loud as-is for their intended purpose as near-field speakers in a studio environment.danatkorg wrote:My great but not particularly esoteric HR824s are nominally flat (within 1.5dB) down to 39Hz, and extending below that naturally; the more recent mkII version claims a little lower for flat response, down to 37Hz.
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True, but see my earlier post; that may or may not matter. See discussions of the "missing fundamental" concept for more info.shap wrote:The lower cutoff frequency on the Mackie HR824's is -3dB at 37Hz. That gets you down to low D# (a.k.a. D#1) on the piano. It simply doesn't cover the full range.Arjan wrote:I have to agree with Dan here. I too have Mackie HR824's (original version) and I definitely don't need a sub with them; they go plenty low and loud as-is for their intended purpose as near-field speakers in a studio environment.danatkorg wrote:My great but not particularly esoteric HR824s are nominally flat (within 1.5dB) down to 39Hz, and extending below that naturally; the more recent mkII version claims a little lower for flat response, down to 37Hz.
Dan Phillips
Manager of Product Development, Korg R&D
Personal website: www.danphillips.com
For technical support, please contact your Korg Distributor: http://www.korg.co.jp/English/Distributors/
Regretfully, I cannot offer technical support directly.
If you need to contact me for purposes other than technical support, please do not send PMs; instead, send email to dan@korgrd.com
Manager of Product Development, Korg R&D
Personal website: www.danphillips.com
For technical support, please contact your Korg Distributor: http://www.korg.co.jp/English/Distributors/
Regretfully, I cannot offer technical support directly.
If you need to contact me for purposes other than technical support, please do not send PMs; instead, send email to dan@korgrd.com
KRK ROKIT RP5 Montors
Glad you like the Rokit 5 monitors. I think they sound great with my Kronos 61 and I am very happy with them for the size of my room. They are really punchy and the Kronos has a lot of depth to many of its sounds especially the synth and drum sounds.michelkeijzers wrote:I installed my KRK Rokit 5 (RPR5) and they sound great.
They are not positioned as should be (one is in a bookcase and the other on top of papersheet-holders (don't know the english term) on my desk. One is a bit further away then the other but still they sound great. I love the bass (don't use high volumes anyway) and my room is about 10x10 feet. The volume of the speakers is at 75% but I keep my mix levels down (having a small mixer to connect my synths/pc to them).
It sound as good as my semi-open Sennheiser headphones and a lot better than my old hifi stereo set.
Thanks for all the reviews and positive/negative remarks posted here.
Korg Kronos 88, Korg M1, Novation SL61 MKII, Roland JV1080 with Techno expansion, Roland D110, Yamaha MU80, KRK Rokit 5 monitors, Akai ME30PII midi patch bay, Behringer RX1602 mixer, ESI ESP1010e audio interface, Quad Core PC, Cubase Pro 9.0, SE X1 condenser mic.
Guitars: Yamaha SG700, Ovation Applause electro-acoustic, Squier Strat, Roland micro cube amp.
Former: Roland Jupiter 6, Yamaha DX9, Akai X7000 sampler, Casio CZ1000, Roland SH101, Roland TR909, Roland MC500mk2, Emu Procussion.
Guitars: Yamaha SG700, Ovation Applause electro-acoustic, Squier Strat, Roland micro cube amp.
Former: Roland Jupiter 6, Yamaha DX9, Akai X7000 sampler, Casio CZ1000, Roland SH101, Roland TR909, Roland MC500mk2, Emu Procussion.
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I only could try them for one hour because we have visiting family with a small child for a week but Tuesday evening I will test them more.
They really sound good so far.
They really sound good so far.

Developer of the free PCG file managing application for most Korg workstations: PCG Tools, see https://www.kronoshaven.com/pcgtools/
I realize you said you were not interested in a subwoofer, but I have a pair of KRK Rokit RP8 G2s and a K10s subwoofer, which I use to amplify my Korg M3-88. I must say that the combination of these powered monitors is fabulous. I have not tried to use the RP8s on their own, without the subwoofer, so I can't tell you if the RP8s alone would be sufficient, but I can tell you that the combination of the 3 monitors is pretty impressive. My keyboard is in about a 10x12 room with hard floors, and the subwoofer volume is just barely turned up above zero, but that is enough to give a serious wallop on the low end. For the money, I think this setup is tremendous, and I'd seriously consider it for your own needs.