I must politely disasgree with you. I too, own a Motif XS and there is absolutely NO comparison between the two keyboards for "overall" sonic sound and funtionality. In fact, the ONLY reason that I'm keeping my Motif is that I've got a lot of money tied up in "3rd party" patches that come in handy - save me a lot of tiime programming, and a programmer I am not. My ears (and that's the subjective part about hearing) hear better emulation of perhaps more acoustic patches on the Motif than the Korg, ceertainly in the realm of guitars. On the other hand, it's an attempt at replication - personally, I'd just as soon use a real live guitar player.
I've been playing piano for 51 years. Over that time I've had the pleasure of playing really crappy sounding acoustic uprights to an over-the-top Bosendorfer. I played Piano patches on Rolands, Yamahas, Kurzweils, Casio, Technic - blah, blah, blah. Now I have the opportunity to play the Kronos. I puchased my Kronos 88 just based on technical and user reviews as well as the reputation of many of the folks Korg used to help progam the board. (Jordan Rudess for example). For my ears, for my playing ability, the touch/feel and sound of most of the pianos - certainly the "mainstays" are truely phenominal. Don't get me wrong, Roland had a decent one in it's Ultimate Grand patch several years ago, Kurzweil has a couple, but for me, Korg has done an outstanding job of "replicating" the acoustic piano.
The Motif has one sound engine - the Korg has 9. Do you really prefer to work on the Motif Screen "vs" the Kronos screen. Yeah, I'm getting up in age, I wear glasses, the screen fonts are small, BUT, I'm going to get a stylus pen which should help insure that I push the correct button.
By-the-way the f*ck*ng editor will be available next month as a download on the Korg site. Here's the thing, in my experience, whenever purchasing one of these higher end keyboards (think Fantom, Motif, even M3 etc), it really does pay to review the manual, go to the manufactures website - look for Frequently Asked Questions, join a forum and read up on the keyboard - there's usually a ton of experience and information - an alot of unsolicited opinions like mine. Go to youtube. Have you seen the training videos that Korg has released. My point is that you've got to spend some time. Dude, this stuff is not cheap. If you purchased an expensive vehicle, you'd want to know all about it - right?
Alicia Keys...well...I'm not a big fan of software synths - I'm a bit "old-school", so I really can't comment other than it is personal taste and if your ears tell you that the Alicica Keys piano is better sounding than the Kronos - I'm ok with that. Just keep in mind that there are quite a few pianos to choose from in the Kronos and they can all be tweaked to your personal liking. I for one really like the bright piano. I have always had trouble getting some of my piano playing to cut through all the noise - I mean music played by the other folks in my band.
I'm not going to bash other brands of keyboards. I don't think it's fair to really say one board is better than the other. I've yet to see a keyboard that could DO IT ALL. Wouldn't that be nice? I've got a mix of keyboard equipment, it's what I like, other folks might say I've got too much reduncancy, or why to you have an arranger keyboard etc.
So, I guess in the end, it's your call. In my opinion I don't think you've spent enough time really understanding what the Kronos can do. Think about it, if you perform, do you really like the way Yajmaha addresses "set lists". No, because they don't. Talk about screen size, trying to select the right "favorite" in a Motif can be a lesson in futility. Korg got it right with it's implementation. I'm still a relative newbie with my Kronos (about 3 weeks). I've gigged with it twice. The first thing I did was figure out how to build set list. Way to easy and way to cool. Then I figured out how to create my on combinations (Yamaha calls them Performances). All of us Kronos users know that you can mix and match single program voices as as well as combination voices in a single set list. Awesome. No more hunting around for the right sound. I've created several different set lists based on the band I'm going to be performing with. It just does not get any easier. So, I haven't even touched on the other 2,000 sounds, combinations, sequencing, sampling.
Take some time to learn this peice of equipment.
The pads are quite good, I don't think the screen is the same one used in the M3, and I can't help you with your file copying issue. My advice would be for you to start with the manual and try to become proficient with one thing at one time - for example, really familiarize yourself with how to choose programs, then how to edit programs and store them in your user file locations. I mean if you really need to mess around with copying files over to thumb drives and working stuff out on your MAC go for it, but I would make sure I was pretty familiar with the basic stuff first.
Sorry to bore everyone else. I just think some folks give up to easy.
Peas out
Epica33 wrote:Hey everyone
I have buy a Kronos 61 and im not very happy with this Workstation.
My Motif XS is much more better than the Kronos.
I think, the Sounds are not bad from Kronos, but Native Instruments Alicia Keys Piano is much more better, the Organs are very god in Kronos and the spheresounds, thats all.
The Touchview Display are the same s**t we M3 and Trinity.
And it is much more smaller for touching!
I have problems with my ssd, when i copy a file to a usb stick or a Hd and then i will use it on my Macosx 10.6.8 is the file away!!!!
And where is the f*ck*ng editor for using with the Mac / Pc / Logic / Cubase??????
I will buy in the future never Korg Products, sorry im not lucky!
Best regards and sorry for my bad english
Hammond XK3C, Yamaha S90XS, Yamaha Motif XF6, Yamaha Tyros V, Roland Fantom G7, Korg Kronos 88, Roland Jupiter 80, Sonar Producer 8.5, Digital Performer Pro, Apple MacBook Pro. Komplete, Arturia V collection etc.