Yamaha Tyros 4 versus Oasys

Discussion relating to the Korg Oasys Workstation.

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NuSkoolTone
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Post by NuSkoolTone »

Sharp wrote:Super Articulation ?. I was doing that 20 years ago on my old AKAI Samplers. Even older than that is the sound engine of the Tyros. AWM 2 is pushing well over 20+ years old now. It's a nice keyboard to play, but by heck it's a toy compared to an OASYS. The Tyros is even manufactured like a toy compared to the OASYS. It's all plastic and has cheap keys. The OASYS is all metal and nothing but the best quality parts.

Tyros is an Arranger so it should only be compared to another Arranger.

Regards
Sharp.
Scoff at SA all you want, the fact is a lot of these voices put the equivalent sounds in the Kronos (and OASYS) to SHAME. Embarrassingly so in fact. As in ARE YOU KIDDING ME? In Fact. The potential to now spend money to throw at the "problem" is not a sufficient excuse IMO. While the Oasys is excused because it came out in 2005, the Kronos should have had best in class sounds in these departments end of story!

Further:...
Sharp wrote: I own many of these myself already. KRONOS reads AKAI format perfectly.

Regards
Sharp.
Umm no it does NOT. At least not all the partitions! I've made a whole new thread regarding this. I will update it soon with specifics as other things (Gigs, Hard drive crash, Halloween and Hurricane Sandy) have come up, but "perfect" isn't the word I'd use. ;)
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Post by Sharp »

Hi NuSkoolTone.
All due respect, I've no issues loading AKAI data. I've been loading AKAI data into KORG's for years.

Btw... Last time I checked, the Tyros couldn't read any format other than it's own. WAVE is not a multisample format.

As for SA voices vs the KRONOS. The way I see this is, look at the Tryos 1, 2 3 and 4. The number of SA voices they have is tiny, and from each model to the next only little few more are added each time.

Considering each model costs 4 to 5 grand a pop for such an incremental upgrade, and that Yamaha release them faster than any other manufacture release a flagship arranger keyboard. Before you know it, you have dropped almost 20K and the next model is only 2 years away.

There is no need for them to do this. They could sell a CD for 100 bucks with what little new they are putting into each new tyros.

I can spend $200 bucks on an AKAI disk and walk away in that single purchase with more SA type voices than the Tyros 1,2,3 and 4 currently has.

That said, the KRONOS sounds fantastic as it stands. Feel free to listen to my KRONOS with no AKAI disks used. Just factory sounds and EXs 11 and 12.

Artificial Intelligence
Casper
Rocky
Indiana Jones
Insurrection
Star Wars
Superman
Twister
Watermark
Feather Theme

One of the most realistic sounds I've actually heard from a Tyros was the Uilleann Pipe sound, and it was darn good.

http://www.youtube.com/watch?v=if2sZNQv1Ok

Here's me using sounds like this back in the Triton Studio days. Starts just after the choir in the beginning and then again later in the tune.
Click Here

Given the time, for everything you could dig up on the Tyros, I could post a real old audio clip of some old AKAI disk I was using years ago producing a sound equal to and far better than the Tyros.

Considering how much more expensive it is over a KRONOS, I'd rather buy a KRONOS any day and spend some money on a sample library that resolves it's weaknesses for my needs.

Regards
Sharp
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NuSkoolTone
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Post by NuSkoolTone »

Sharp wrote:Hi NuSkoolTone.
All due respect, I've no issues loading AKAI data. I've been loading AKAI data into KORG's for years.

Btw... Last time I checked, the Tyros couldn't read any format other than it's own. WAVE is not a multisample format.

As for SA voices vs the KRONOS. The way I see this is, look at the Tryos 1, 2 3 and 4. The number of SA voices they have is tiny, and from each model to the next only little few more are added each time.

Considering each model costs 4 to 5 grand a pop for such an incremental upgrade, and that Yamaha release them faster than any other manufacture release a flagship arranger keyboard. Before you know it, you have dropped almost 20K and the next model is only 2 years away.

There is no need for them to do this. They could sell a CD for 100 bucks with what little new they are putting into each new tyros.

I can spend $200 bucks on an AKAI disk and walk away in that single purchase with more SA type voices than the Tyros 1,2,3 and 4 currently has.

That said, the KRONOS sounds fantastic as it stands. Feel free to listen to my KRONOS with no AKAI disks used. Just factory sounds and EXs 11 and 12.

Artificial Intelligence
Casper
Rocky
Indiana Jones
Insurrection
Star Wars
Superman
Twister
Watermark
Feather Theme

One of the most realistic sounds I've actually heard from a Tyros was the Uilleann Pipe sound, and it was darn good.

http://www.youtube.com/watch?v=if2sZNQv1Ok

Here's me using sounds like this back in the Triton Studio days. Starts just after the choir in the beginning and then again later in the tune.
Click Here

Given the time, for everything you could dig up on the Tyros, I could post a real old audio clip of some old AKAI disk I was using years ago producing a sound equal to and far better than the Tyros.

Considering how much more expensive it is over a KRONOS, I'd rather buy a KRONOS any day and spend some money on a sample library that resolves it's weaknesses for my needs.

Regards
Sharp
I agree the Kronos is a better value than Tyros, that's obvious. The point being made is how the stock sounds on the Tyros are better in certain areas should have never happened.

While those sequences are EXCELLENT and superbly done, they still sound like sequences with a good sound module vs. something scored for film. I'll go as far to say that there's a strong possibility the Tyros might still sound better given the same sequence in many cases and EX11/12 are not stock sounds.

So sharp, you're saying you're loading all your Akai disks into the Kronos DIRECT off the CD with zero issues reading ANY of the partitions? Sounds like you have a LOT of Akai CDs? This is very interesting for me.
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Post by Sharp »

I agree the Kronos is a better value than Tyros, that's obvious. The point being made is how the stock sounds on the Tyros are better in certain areas should have never happened
True, but lets look at the overall picture here. The SA voices are awesome, no question of it. However there are only a small selection of SA voices in the Tyros series. The standard sounds are very poor in contrast and they make up the vast majority of all the sounds the Tyros has.

On a KORG one could say it's the other way around. The vast majority of content is premium, and there are weaknesses that could / should be addressed in other areas.

You don't have to wait for KORG to do this though. There's tons of third party data to buy and load.
While those sequences are EXCELLENT and superbly done, they still sound like sequences with a good sound module vs. something scored for film.
I was trying to demonstrate that the KRONOS sounds are pretty darn good as they stand right now.

It was never meant to make you believe you were listening to a real orchestra. There's not a keyboard on the planet that will do that.
I'll go as far to say that there's a strong possibility the Tyros might still sound better given the same sequence in many cases and EX11/12 are not stock sounds.
It's not even possible to attempt this because the Tyros series does not even come with a full sequencer.

So sharp, you're saying you're loading all your Akai disks into the Kronos DIRECT off the CD with zero issues reading ANY of the partitions? Sounds like you have a LOT of Akai CDs? This is very interesting for me
Yes, I have a large library and now that the KRONOS streams, I've spent a lot of time loading and assembling my AKAI libraries into a “favourite bank” on my KRONOS.

I worked differently on the OASYS, I had many banks I loaded and unloaded. No problems there either.

If your running into problems I can probably help. AKAI data partitions are predefined into blocks of a set size even before data is written to the partitions. A block might be 32MB or 64MB for example. Depending on the sound designer who created the library, some of them used to spread a single MULTI, or Program out over more than one partition. If you don't know how to deal with this, you can get half baked sounds loaded and assume the KRONOS is at fault when it fact it's loaded the data correctly.

So it's more of an understand of how the data is structures is all that's needed. Well... depending on your problem.

If a partition does not open, that does not mean there is a fault either. Again it could be down to the sound designer who created the library. It's a structure thing and how AKAI Samplers worked.
They would have simply created more partitions than they ended up needing. It's very common.

Regards
Sharp
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Post by Dr. Who »

@ Worth

Looks like our own highjacking of a thread got highjacked in regards to SA sounds! I've been out of town for a while. I'm going to start a thread in the genreal arrangers forum or the arrangers forum abotu arrangers and vst's. I'll post a link here when I do. There are definetly some work arounds for what you are trying to do, but some will be much more labor intensive that what you'd expect. STS is the really hard part to deal with. The patch changing per song is more easily overcome.

Hope everyone out there is safe and sound after Sandy has blown through!
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Post by worth »

thanks for that Dr Who :-)
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Post by Mellontikos »

Gotta say it’s odd that there is so much Tyros love here (due to the super articulation)… OK like has been stated before, you can’t really compare a Tyros to an OASYS as in what is better. You should compare the Tyros to other arrangers. The OASYS is a professional piece of studio equipment (sure you can gig with it too but wow it’s heavy!). Arrangers are typically used either by hobbyist or for gigging musicians that need a band in a box for accompaniment. The OASYS’ allure is the multiple synth engines, sound programming capabilities and it’s wonderful sound (insert promo for Sharp’s OASYS Assault here; fantastic work!). For me it’s studio use that I use the OASYS for; gigging with an 88 key is not an option for me but a 61 key Kronos would be quite nice to gig with. The Tyros is an arranger plain and simple. If you need an arranger give the Tyros a look along with the other arrangers out there. If you need a piece of professional studio equipment with multiple sound engines give the OASYS/Kronos a whirl.

The selling point of “super articulation” and “realistic” sounding instruments in a Tyros is a bit of a ruse. Before the Yammy fanboys flame me, let me explain… Yamaha has been known for a while now of having the more realistic sounding acoustic instruments, however if you are honestly looking for truly “realistic” acoustic instruments you will not find them in a Tyros or OASYS for that matter. You will find them in software. You’re better off buying a cheap second hand easily programmable arranger, picking up a Muse Receptor loaded with Kontakt and load it up with orchestral and guitar sample libraries. Even the preset Kontakt VSL orchestral sample libraries put the Tyros/OASYS to shame. Do the work in the studio or at home programming your styles running them via midi to the Receptor using that as your sound module. Once they sound good, you’re ready for the road. Then when you play live you have a full orchestral/guitar/choral/vintage synth arsenal at your arranger’s disposal plus whatever other VST’s you have loaded. I’ve used this set-up live and it’s pretty phenomenal.

So it depends what you want. If you want a simple arranger as a hobbyist, buy a cheaper one (the Tyros is way over priced) unless you have money to burn and don’t mind overpaying for the sound of the Tryos. If you are interested in studio gear and need a true workstation, the OASYS/Kronos route would be better suited. If you plan on playing live gigs and need an arranger, look at not only the Tyros, but the PAx series and Ketrons; weight the sound/cost and programmability of each one. If you really want to wow your audience with amazing realistic sounds look at a Muse Receptor triggered from a cheap used arranger. Note the drawback to the Receptor is a.) it’s expensive (still cheaper than a 5k Tyros) b.) It isn’t a fully open system (It’s Linux based and you can only install certain VSTs; i.e. East/West Play engine is still not supported). But by using only boutique Kontakt libraries you will blow the doors off of any acoustic emulations available by all keyboards on the market. I also use my Receptor’s acoustic/orchestral libraries for movie scoring; you simply can’t do that with any keyboard or sound module. FYI I own too many synths (and several arrangers) to count from all manufacturers. I’m not biased to one company or another. Dunno if it helps, but wanted to give a few other options to you depending upon what you are looking for.
This.


I had a Korg PA1x Pro, and I was in the market for an upgrade. I listened to a PA3x-Pro, and it sounded exactly the same! Same sounds, same styles. There was a ton of new control options, but at the end of the day, I'd be spending an extra $2000 to have the same old same old.

I listened to a Tyros 4, and OMG I was blown away by the sound!

I wasn't blown away because it was the end all/be all of sound quality. I happen to own Reason 6.5, and have a bunch of high quality Refills that completely blow away a lot of the Tyros 4 sounds.

The great thing about the Tyros 4 as an Arranger is that it gives you incredibly usable sounds, and really well made styles in a 30lb package you can gig around with easily.

I got one knowing the exact limitations you described above, and so far it's done exactly what I expected.

Only thing that sucks is how hard it is to create original data for it. Even with this limitation, once you have the data you want in it, the Flash ROM makes it almost indistinguishable from the stock stuff. I can load one of the great "Motif" sounding Acoustic Pianos, the next I can switch to my multilayered "Kurzweil" Acoustic Piano (which was a pain in the ass to sample from my PC161). I can play one of the great sounding stock EP's, like "Galaxy EP", then switch to my Multilayered sample of the 01/W's "DynoPiano"

This is exactly what I wanted! An incredibly good sounding Arranger with great stock sounds, and the capability for seamless Sample playback. I can even load my Reason created music for karaoke style singing.

Sure the PA3X-Pro could do all this as well, but I'd be starting from so much lower to achieve the same level of quality.
i am not a yamaha fan boy before anyone concludes that. I just dont like the way folks here dumb down a product just because it is an arranger.

I hear a lot of talk about what could be done with VSTs combined with a cheap arranger but i wouldlove for some one to actually demonstrate this with say just 10 styles, each style having four variations plus fills and breaks and with 4 one touch settings per variation per style.

Tell us how long it would take to programme all of this and then do a quick demo on you tube showing what happened every time you change style or variation in real time just like a gigging musician would.

There is a product called liontracs Media station which purported to be able to be programmed in exactly the way you have suggested . It was marketed as the mother of all arrangers because of its openess in terms of accepting the best VST on offer. It was a horrible failure because of the complexity of trying to achieve what you have just described ,

If it you believe it is an easy thing to achieve , to marry an arranger and its functions to VST's in the way you have described please demo this with just say 5 styles.

I am glad that someone on here actually owns an arranger so potentially can demo this for me I genuinely would love to see it done.

By the way i own the Korg PA1X arranegr and would love to update the sounds
Yup! I agree with this as well.

I'm not a Yamaha fanboy either, but the last thing Korg released that was truly innovative was the Triton Extreme.

Maybe I didn't spend enough time with an Oasys, but to me it sounded like a more controllable Triton Extreme.

It looked beautiful! But the Extreme was jam packed with awesome sounds.

I've never found a software synthesizer that would even come close to having the power of an Arranger, such as the Tyros, and I've looked! I would rather carry a small keyboard controller and a laptop like my MacBook Air to a gig instead of lugging around a huge keyboard.

It's not fair to call the Tyros an old folk's keyboard either, unless you want to call the Motif the same thing.

I've tested both, and Tyros is basically a Motif with Arranger function, sort of like the PAx series are basically Tritons with Arranger function.

You don't have to wait for KORG to do this though. There's tons of third party data to buy and load.
I do this in Reason, which can have infinite layers for whatever you want.
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Post by nitecrawler »

"I'm not a Yamaha fanboy either, but the last thing Korg released that was truly innovative was the Triton Extreme.

Maybe I didn't spend enough time with an Oasys, but to me it sounded like a more controllable Triton Extreme.

It looked beautiful! But the Extreme was jam packed with awesome sounds."

Sorry, these comments do not compute from my perspective. Oasys sounds like Triton Extreme......NOT. Completely different synth engines that aren't even touchable by Triton IMO. 8)
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Post by Mellontikos »

nitecrawler wrote:"I'm not a Yamaha fanboy either, but the last thing Korg released that was truly innovative was the Triton Extreme.

Maybe I didn't spend enough time with an Oasys, but to me it sounded like a more controllable Triton Extreme.

It looked beautiful! But the Extreme was jam packed with awesome sounds."

Sorry, these comments do not compute from my perspective. Oasys sounds like Triton Extreme......NOT. Completely different synth engines that aren't even touchable by Triton IMO. 8)
Like I said. It's possible I didn't spend enough time trying one out.

I did try a Korg Kronos in detail.

It's boring to me. I'm completely not interested in 20-30 different Acoustic Piano emulations, or 100 ways to realistically model a Rhodes Dyno. The Pads are pretty good, but the Triton can match it with some good programming as far as evolving pads are concerned.
Tyros 4. 01/Wpro. N5ex. SY99, Legacy M1, WS & Triton VST's. Wavestate Native VST :D
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Post by 1jordyzzz »

Mellontikos wrote:
nitecrawler wrote:"I'm not a Yamaha fanboy either, but the last thing Korg released that was truly innovative was the Triton Extreme.

Maybe I didn't spend enough time with an Oasys, but to me it sounded like a more controllable Triton Extreme.

It looked beautiful! But the Extreme was jam packed with awesome sounds."

Sorry, these comments do not compute from my perspective. Oasys sounds like Triton Extreme......NOT. Completely different synth engines that aren't even touchable by Triton IMO. 8)
Like I said. It's possible I didn't spend enough time trying one out.

I did try a Korg Kronos in detail.

It's boring to me. I'm completely not interested in 20-30 different Acoustic Piano emulations, or 100 ways to realistically model a Rhodes Dyno. The Pads are pretty good, but the Triton can match it with some good programming as far as evolving pads are concerned.
What??? kronos Ap's and Ep's are do-able in triton??? no f-ing way..
You did not try it in detail... you just scroll up those factory patches, maybe with a few clicks on the program page to edit the sounds.. but what i could do with sgx-1 engine alone is astounding!! go down to deep editing of those sgx-1 parameter and ALSO the ifx..
Love my kronos 88 :D
Love my yamaha psr s910 as well

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Post by Hedegaard »

Sorry, but I'm afraid one should dumb-down an arranger.

Because an arranger is a keyboard and not a synthesizer.

An arranger is like driving a car with the handbrake on, the more you push it, the more you're going absolutely nowhere!
.....Still waiting for the allusive, missing EXf for Oasys.....
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Post by michelkeijzers »

1jordyzzz wrote:
Mellontikos wrote:
nitecrawler wrote:"I'm not a Yamaha fanboy either, but the last thing Korg released that was truly innovative was the Triton Extreme.

Maybe I didn't spend enough time with an Oasys, but to me it sounded like a more controllable Triton Extreme.

It looked beautiful! But the Extreme was jam packed with awesome sounds."

Sorry, these comments do not compute from my perspective. Oasys sounds like Triton Extreme......NOT. Completely different synth engines that aren't even touchable by Triton IMO. 8)
Like I said. It's possible I didn't spend enough time trying one out.

I did try a Korg Kronos in detail.

It's boring to me. I'm completely not interested in 20-30 different Acoustic Piano emulations, or 100 ways to realistically model a Rhodes Dyno. The Pads are pretty good, but the Triton can match it with some good programming as far as evolving pads are concerned.
What??? kronos Ap's and Ep's are do-able in triton??? no f-ing way..
You did not try it in detail... you just scroll up those factory patches, maybe with a few clicks on the program page to edit the sounds.. but what i could do with sgx-1 engine alone is astounding!! go down to deep editing of those sgx-1 parameter and ALSO the ifx..
I think the Oasys (and thus Kronos) are a great step ahead from the sampler ROM synths up to the M3/M50 (including Triton Extreme).

The sound of physical modelling (as in SGX, EP etc) is much better (and better controllable) than 'simple' wave forms.
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