This is a clever sequence and he's just pressing keys and buttons to make it look like a real-time performance..

SURELY he can't be THAT good

Or is his real name GOD

Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
Hello Kevin,[
Now - here's a challenge for you - and it you figure it out I'll pay for the result - how does J M Jarre create, in Equinoxe II, the slow sequences that rise and fall in pitch - and in speed - in an arc (though some of them start at a high pitch and drop in pitch and speed simultaneously? I've tried to figure this out for 30 years but it's (to me) among the most elusive of techniques; which I'd like to use in compositions. You find examples at starting times:
Equinoxe II
2.13
2.38
2.52
3.16
3.23
3.45
4.07
Ah, Dan beat me to itDan Stesco wrote:[
Now - here's a challenge for you - and it you figure it out I'll pay for the result - how does J M Jarre create, in Equinoxe II, the slow sequences that rise and fall in pitch - and in speed - in an arc (though some of them start at a high pitch and drop in pitch and speed simultaneously? I've tried to figure this out for 30 years but it's (to me) among the most elusive of techniques; which I'd like to use in compositions. You find examples at starting times:
Equinoxe II
2.13
2.38
2.52
3.16
3.23
3.45
4.07
Why you don't ask me about this sound before? I've done it in ten minutes.
OSC Pitch MOD> AMS-Js +Y, Int +24
LFO1
sine waveform,Frq-08
Frequency MOD
AMS1 Js+Y, Int+75
AMS2 Js+y, Int+59
The Lfo1 is set to AMP mod And Filter MOD.
That's the secret.